Sin City: A Dame to Kill For – Red Band Trailer – “Babes” Music Video for Icky Blossoms

The “Red Band” trailer has been released for the new Robert Rodriguez / Frank Miller-directed movie “Sin City: A Dame to Kill For”.

The music that plays throughout is “Babes” by the band Icky Blossoms. Before the music was being considered for “Sin City”, I’d shot a music video for the song, also in black and white, which featured lots of dancers moving at 400 frames per second (you can check out more BTS of the video shoot here. Here’s the new trailer:

And here’s the original music video:

Excited that the song is blowing up!

http://www.jeremyosbern.com

Posted in 400 fps, 400 frames per second, cinematographer, Cinematography, Director, Director of Photography, icky blossoms, music video, Omaha, Red EPIC, Saddle Creek, Shooting in Omaha | Tagged , , , , , , , , , | Leave a comment

Shy Boys “Life is Peachy” Music Video

Shot a music video for the Kansas City band Shy Boys for their song new song “Life is Peachy”:

The majority of the video shows the same two and a half-ish second loop of a dental patient chasing our “crown thief,” as the camera races down eighty feet of track with the chase. Each time one thing changes as we continue our loop, so by the end, the scenery is much different than when we started.

Director Christopher Good wanted to have a comic book feel for the project, so I wanted a consistent lighting setup throughout the dolly move, so… we built the entire lighting setup off of the dolly rig using speed rail.

Here’s a pic of me inside my dolly cage and Key Grip Chris Bradley (courtesy Emma Penrose). The whole chase portion of the video was shot in a back room at Through A Glass Productions.

Shy Boys Life Is Peachy Single Music Video Director of Photography Jeremy Osbern Director Christopher Good Producer Through A Glass Productions

The lighting setup consisted of a 400w Joker bounced into a 4×4 Beadboard suspended off the dolly as a key light, a 12-foot menace arm rigged to hold a 4′ 4-bank kino about an inch away from the wall as a backlight, and a 2′ 4-bank kino rigged closer to camera for a fill light.

The monster rig needed two people to push the dolly for the dolly move and we gave an extra 20 feet of track just for the slow down at the end of the run. Here’s a behind-the-scenes video of one of the the takes:

Also, for you trivia buffs, that is my hand holding the polaroids as we go through that round of changes. Really fun video to work on, and really happy with the results.

http://www.jeremyosbern.com

Posted in 5K, cinematographer, Cinematography, Director, Director of Photography, Kansas, Kansas City, music video, Red EPIC, Shooting in Kansas City | Tagged , , , , , , , , , , | Leave a comment

Shooting the indie horror movie “Last Breath”

I shot the indie horror movie Last Breath for writer/director Ty Jones and producer Aaron Laue. It went on to win awards at numerous film festivals, and has received reactions as diverse as a seventy-year-old woman at a film festival screening who said it touched her in a way no other movie has to horror genre fans vocally complaining about its lack of body count.

"Last Breath" production stills

All in all, it was a fun project to shoot. We took control of an abandoned warehouse that was going to be destroyed and were given the run of the place. It was like one giant backlot. If I needed to get light through a certain place and there was no good way to do so, we’d take a sledge hammer and knock out a wall. We had steel support beams running throughout every inch of the building, which gave us a ready made grid, and we pre-rigged huge portions of the area so that we could bounce between “sets” if need be for makeup considerations (there was a lot of makeup, translation: blood, to deal with in terms of continuity and time for actors). A lot of the lighting approach was dramatic top lighting and larger units cutting through fog. For general ambient, I’d set up lights (like the ARRI Ruby 7 pictured below) into ultra bounces to add soft directional lighting.

"Last Breath" production still - ARRI Ruby 7 Light into Ultra Bounce

Speaking of the ARRI Ruby 7, in my experience, these are not very common lights on set, but the rental house providing the gear basically threw it in. It’s similar to a MaxiBrute, which features nine 1K Par Bulbs, but is a circle of seven 1K par bulbs. Like a Maxi, you can swap out the bulbs (medium, spot, etc) to have a different quality and range to your light. It’s punchy, and a nice light, I’m just much more used to using MaxiBrutes when needing similar lights.

Here are some frame grabs from the movie:

Last Breath Tina Hallway

Last Breath Michael Dark Figure Last Breath Silhouette 2 Last Breath Tina Blood Room

http://www.jeremyosbern.com

Posted in cinematographer, Cinematography, Director of Photography, Feature Film, film festival, Shooting in Kansas City | Leave a comment

STAR WARS spot – “Big Red Bow”

Here’s fun Star Wars-themed spot I shot for director and visual effects guru Bruce Branit:

The spot was produced by Through A Glass Productions for BranitFX.

The basic premise was to set up a commercial that looked like a Cialis / Viagra spot (aided by the music, and blue color correction) and then do a bate and switch to end with a Millenium Falcon. Bruce peppered lots of Star Wars easter eggs throughout for fans to catch upon repeated viewing. Here are some behind the scenes pics from the restaurant scene:

Star Wars - Big Red Bow Spot - Behind the Scenes - Jeremy Osbern - Bruce Branit - BranitFX - Branit VFX Star Wars - Big Red Bow Spot - Behind the Scenes - Jeremy Osbern - Bruce Branit - BranitFX - Branit VFX Star Wars - Big Red Bow Spot - Behind the Scenes - Jeremy Osbern - Bruce Branit - BranitFX - Branit VFX The lighting for the restaurant scene was a combination of directional book lights (2K Mighty bounced into bead board, then sent through a 4×4 of 250 diffusion) and an overhead light spotted into the table as an eye light. The background was lit with tungsten units for the background actors, well-placed Christmas lights on the architecture, and single-tubed kinos hidden underneath the plants in the deep background.

For the Christmas / Fireplace scene, I was literally backed into a corner for lighting, so I placed a showcard bounce just behind the actors heads, attached it to the fireplace, and shot a Source4 into the card to create a soft back light. The rest of the scene was a combination of a kino hidden under the Christmas tree, an LED rigged in the background, a practical bulb on a dimmer in the lamp in the background and a special for the fireplace. For the close-up shots, I actually balled up a giant string of Christmas lights and rigged them off of a C-stand, close to the actors’ faces for an eyelight.

Star Wars - Big Red Bow Spot - Behind the Scenes - Jeremy Osbern - Bruce Branit - BranitFX - Branit VFX Love the final spot! To see more of Bruce Branit’s amazing work, check out BranitFX.

http://www.jeremyosbern.com

Posted in 5K, Ad, advertising, BranitFX, Bruce Branit, cinematographer, Cinematography, Commercial, Director, Director of Photography, EPIC, Red EPIC, Shooting in Kansas City, Star Wars, television commercial, VFX, vfx cinematographer, vfx cinematography, Visual Effects | 5 Comments

The Faint – “Evil Voices” – shot on RED EPIC

Shot a kick-ass music video for The Faint (which is a band I have listened to since the 90s) for their song “Evil Voices”.

The video premiered on Noisey, and they said this about it: “The video, which is trippy as all hell, is a clip of the band playing in what we can only perceive as some version of the Matrix. There are a lot of lights, a lot of colors, a lot of shaking, and just… a lot of everything. It makes us want to close all the windows of the office, turn off the lights, grab a strobe light, and lose our god damn minds.”

Take your seizure medication before watching!

Directed by Nik Fackler. Produced by Tory Lenosky, Tessa Wedberg, and Through A Glass Productions.

http://www.jeremyosbern.com

Posted in 5K, Anamorphic, Anamorphic Lens, cinematographer, Cinematography, Director, Director of Photography, EPIC, music video, Omaha, Red EPIC, Shooting in Omaha, The Faint | Tagged , , , , , , | Leave a comment

Working with a Priceless Diamond

Recently I had an entire day to get fun shots with a priceless diamond. Sure, I got more of the “normal” side angle shots that you see in advertisements, but while I had  it, I did a little more experimenting to see what interesting perspectives I could discover.

Here’s one of my favorite shots. The diamond was rotating on a turntable, sitting on black felt, and the camera was positioned directly over head with the equivalent of a +6 diopter in front of the lens. The focus was set to inside the diamond, which creates an interesting look, with the top slightly out of focus and the viewer still able to peer inside.

http://vimeo.com/91439001

Lighting was done with three HMIs, and we had to ample heat shield on hand to protect the camera and turntable from the heat. To me, the end result looks like some distant ice planet, floating in space.

http://www.jeremyosbern.com

Posted in Diamonds, Director, Director of Photography, Product Shots, Red EPIC, Shooting with Diamonds | Leave a comment

Lightning Over Dallas

I’ve hit five states on seven says. Earlier this week I shot a music video in Omaha, captured more for my ongoing education documentary in Illinois, and am now in Dallas, Texas.

Shortly after landing and checking in to our hotel, a huge lightning storm rolled in and I snapped this photo:

20140329-124724.jpg

One of the many I things I love about this job is traveling and seeing amazing things, some when you’re not even planning for it.

Posted in Omaha, Shooting in Omaha, Shooting in Texas | Leave a comment

My Face… A Water Balloon… 400 Frames Per Second

Wanted to do a quick camera test, so I volunteered for this one. Rolled by my 1st AC for this shoot, Marcus Guider.

Shot on the RED EPIC at 400 frames per second using the 1K Wide Screen setting (which is the only setting that allows you to get up to 400 fps).

Boom!

http://www.jeremyosbern.com

Posted in 400 fps, 400 frames per second, Experimental, Experimental Video, Red EPIC, Slow Motion Photography | Leave a comment

“A Shocker of a Story: Rise out of the Valley” – Wichita State Basketball Documentary for Turner Sports

I shot a documentary for Turner Sports called “A Shocker of a Story: Rise out of the Valley” about the Wichita State basketball team. The video debuted this week as the main video on NCAA.com:

Wichita State NCAA dot com

Coach Marshall and the Wichita State basketball program gave us full access to the players and staff, opening up practice, attending weight training, and watching film of competitors. They also had no canned answers, and talked openly and honestly on camera.

Looking forward to seeing them take on the tournament come March Maddness.

Shot on the Canon C300 with my set of cinevised Lecia R lenses. Here’s the finished video (click the button to watch in full screen).

Everybody loves a Cinederella!


http://www.jeremyosbern.com

Posted in C300, Canon c300, Leica, Leica R, Leica R Lenses, Shooting in Wichita, Wichita State, Wichita State Shockers | Leave a comment

“Pop Tarts” at The Omaha Film Festival – shot on RED EPIC and LEICA lenses

“Pop Tarts” is a short film I shot and produced with writer / director Kendal Sinn.

The film was created as a part of the web series “Withered World”.

It will screen this weekend at the Omaha Film Festival. I’ll be there, if you’re in town, stop by and say hi!

Here’s the finished film from the Withered World vimeo page:

http://vimeo.com/74619905

http://www.jeremyosbern.com

Posted in 5K, cinematographer, Cinematography, Director, Director of Photography, Leica, Leica R, Leica R Lenses, Narrative, Web Series, Withered World | Leave a comment